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A Spike Lee Joint with Many Layers
A soulful, New York-centric reimagining of a Kurosawa classic.
A soulful, New York-centric reimagining of a Kurosawa classic.
A wildly excessive hot mess that rewards die-hard fans but leaves others behind.
A serviceable mystery that misses the "Joel filter" but keeps the quirk.
A stirring success for new generations, though a bit of "deja vu" for old fans.
An amusing, uncomplicated ride with John Wick-style combat.
A fun twist on the Die Hard model, Fight or Flight is an entertaining action yarn that thankfully doesn't take itself too seriously. Anchoring the film is a likable performance from Josh Hartnett. As an action star, Hartnett proves his mettle with excellent fight scenes mixed with laugh-out-loud humor.
"But this isn't a story kind of movie. Mostly this movie is an excuse to stage John Wick style combat and have some shits and giggles to pass the time. "— Ray Manukay
Director Magnus Martens uses a thin cyber-terrorist plot as an excuse to stage high-intensity combat. Clocking in at 1 hour and 41 minutes, it’s an amusing diversion with Jason Statham-level choreography. While it isn’t going to win awards, it’s a movie worthy of standing just a tier below the best action films of the year.
Fight or Flight is exactly what it promises: a high-altitude adrenaline shot. It's a perfect Friday night watch for fans of tight choreography who don't want to overthink the details.
View on LetterboxdA solid, unique thriller that overreaches with its own ambition.
Weapons is a memorable thriller that perhaps overreaches with its own self-indulgence. The movie has the patina of a serious story but ultimately dissolves into a bit of a silly affair. It joins the recent batch of "prestige horror" that attempts to combine dramatic social commentary with traditional thrills.
"I personally, just can't give in to the conventions of this world. I'm first to admit that this is a petty argument considering I'm able to believe in flying superheroes or living dinosaurs when watching certain movies. But if a movie is asking me to feel fear or tension in my bones and psyche there is a higher standard that the story has to live up to. "— Ray Manukay
Fresh off Barbarian, director Zach Cregger aspires to something innovative here, utilizing a non-linear, multi-perspective structure reminiscent of Magnolia. However, the story occasionally shoots itself in the foot by slowly ramping up tension only to diffuse it by shifting perspectives just as things get earned.
Weapons is a bold swing that doesn't quite connect as a home run. While it's worth seeing for the performances and atmosphere, its complex structure ultimately prevents it from reaching the primal heights of Cregger's previous work.
View on LetterboxdA literal warning about the cold, transactional nature of 2025 courtship.
The Materialists is billed as a romantic comedy, but the movie isn't comedic and is honestly not especially romantic. Directed by Celine Song, fresh from her critically acclaimed Past Lives, the film features an affable cast including Dakota Johnson, Pedro Pascal, and Chris Evans. However, their natural charm is used to mask characters that are intentionally unlikable.
"The title is actually not a clever pun. It is a literal warning."— Ray Manukay
Song is reflecting a cynical truth: the modern dating landscape is frankly not very appealing. She uses the aesthetic package of a cinematic rom-com to pull a bait-and-switch, making the film's social commentary on the transactional nature of dating more jarring and effective. It is less about love and more about the "warts" of romance characters.
If you're looking for traditional romantic entertainment, run towards Notting Hill. But if you want a cynical, awkward, and cold autopsy of modern courtship, The Materialists is for you.
View on LetterboxdA life-affirming work that proves there is still mileage left in these dinosaurs.
Decades after the franchise began with the original Jurassic Park, the latest installment, Jurassic World Rebirth, proves there is still life left in these films. Aided by an engaging cast led by Scarlett Johansson, Manuel Garcia-Rulfo, and Rupert Friend, the special-effect-laden suspense and heart-stopping action continue with some new set pieces and fun ideas.
"Yes, there are still chase sequences and gory kills. So fans will still get that adrenaline rush. But it's nice to see there is still some mileage left in these dinosaurs."— Ray Manukay
Director Gareth Edwards (Rogue One, The Creator) brings a grounded, visceral sense of scale to the dinosaurs. The plot concerns the need to attain dinosaur DNA to create a medical breakthrough, adding stakes to the standard survival story. It’s a nice touch that breathes much-needed life into the proceedings while maintaining the awe and wonder of the original.
Jurassic World Rebirth is a successful return to form. While it follows the series' comfort-food formula, the technical execution and renewed stakes ensure these movies will continue to thrill audiences for generations to come.
View on LetterboxdA complete triumph of hope and wonder that finally does Galactus justice.
The FIRST superhero family of Marvel Comics finally comes home to the Marvel Cinematic Universe. After several mediocre iterations, First Steps succeeds by leaning into a retro-futuristic alternate Earth. This aesthetic choice makes the optimistic, loving, and hope-filled nature of the family feel refreshing rather than old-fashioned.
"But now as a father, I admit to enjoying seeing the joy and wonder in my kids eyes while watching this hope filled optimistic film. Especially in these emotionally difficult times. So it's hard to be cynical about this film's effectiveness. "— Ray Manukay
Director Matt Shakman (WandaVision) creates a jaw-dropping production design reminiscent of a futuristic 1960s "Tomorrowland." The film is supported by an incredible, world-building score from Michael Giacchino that serves as a triumph for the genre. The special effects are top-notch, seamlessly integrating a comic-accurate Galactus and a breathtaking space-chase sequence.
As a father, seeing the joy and wonder in my kids' eyes while watching this film makes it impossible to be cynical. First Steps is a hopeful, fantasy-filled journey that finally gives the Fantastic Four the MCU entry they deserve.
View on LetterboxdA refreshing, adult story that demands focus and pays off satisfyingly.
A slow burn thriller from Steven Soderbergh, Black Bag concerns a group of spies caught in a lethal game of truth, deception, and manipulation. It's a cerebral affair, so depending on one's mood and willingness to pay close attention, it will likely affect one's enjoyment of the film. But there is plenty of entertainment in seeing the verbal sparring and methodical unlayering of the suspenseful plot.
"The movie is a refreshing, adult story... once it clicks, the film really shifts into a fun gear."— Ray Manukay
Soderbergh reunites with screenwriter David Koepp (Kimi, Jurassic Park) for this tight, 90-minute thriller that feels much larger due to its dense intrigue. The film avoids the usual genre retreads and popular IP tropes, focusing instead on high-stakes dialogue and psychological unspooling. It is a legitimately good entry that sits comfortably in the upper echelon of Soderbergh's prolific filmography.
Black Bag is a healthy recommendation for those tired of the usual cinema retreads. While it demands your full attention to untangle its web, the satisfying payoff makes it one of the more rewarding adult thrillers of the year.
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A storytelling and entertaining triumph that marks a remarkable first entry into a new DC universe.
After years of equal parts anticipation and skepticism, James Gunn finally delivers his version of the iconic Superman. This isn't a remake of the Donner years or a continuation of the Snyder era; it is an entirely new interpretation where superheroes have been part of civilization for centuries. The result is a comics-accurate, charming, and sentimental success.
"This is a world where civilians watch giant monsters with measured indifference, because they are comforted by the fact that Superman will shield them."— Ray Manukay
James Gunn brings his uniquely inventive hand to the material, creating a Metropolis that feels lived-in and comfortable with its metahumans. David Corenswet's Superman remains an alien with a pure heart and strong morals—sympathetic, affable, and grounded in a way that feels refreshingly original. The action is impressive and the storytelling engaging, free from the cynical lens of previous modern takes.
Superman is simply an entertaining triumph. If this is the first step in the new journey for Warner Bros. and DC, I can't wait to see what sights and ideas James Gunn explores next.
View original review on LetterboxdAudiences definitely get what they pay for: next-level action and inventive gun play.
The next chapter in the world of John Wick is an enjoyable, action-packed entry. While it doesn't break new ground, it follows the "if it's not broke" philosophy perfectly. The story is a simple tale of vengeance that capably pushes the action forward, anchored by a strong, lethal performance from Ana de Armas.
"The Baba Yaga takes a back seat here, but he makes a satisfying appearance. This film belongs to Ana de Armas."— Ray Manukay
Director Len Wiseman maintains the franchise's signature "gun-fu" aesthetic and intricate fight choreography. Set between the events of John Wick: Chapter 3 and Chapter 4, the film focuses on the Ruska Roma traditions. While the plot is paper-thin, it serves as a sufficient scaffolding for the inventive set pieces that fans of the series expect.
Ballerina is a fun, if uncomplicated, ride. It delivers the violence and "Wick-level" stunts it promises, providing a refreshing female perspective to the franchise without losing the edge that made the original films famous.
View on LetterboxdOne of Anderson's stronger projects, focusing on delivery of laughs over eccentric set-ups.
The Phoenician Scheme is a meticulous and amusing film from Wes Anderson. Anchoring the story is Benicio Del Toro as Anatole Korda, a corrupt industrialist navigating quirky near-death experiences and a strained relationship with his estranged daughter. Unlike some of his previous work, Anderson seems content with a more comedic tale this time, blending his signature aesthetic with a traditional, crowd-pleasing narrative.
"Mia Threapleton excellently nails the tone of Wes Anderson's style... she amusingly navigates the plot with muted looks and reserved expressions."— Ray Manukay
The film is a star-making turn for Mia Threapleton, who provides the emotional reservedness that anchors Anderson's highly stylized world. Michael Cera adds a layer of charming reserve to the ensemble, while Del Toro provides the affable grounding needed for the industrialist plot. While it doesn't quite hit the heights of The Grand Budapest Hotel, it is a triumph of humorous storytelling over mere visual eccentricity.
A strong, repeat-viewing entry in the Wes Anderson filmography. It’s a delightful journey that uncovers deeper layers with every watch—a must-see for fans of the director's unique brand of whimsy.
View on LetterboxdA "snakelike" verbal strikes camouflage a profound lesson on manipulation.
David Mamet returns to the screen with Henry Johnson, a dramatic piece that feels more like a filmed stage play than a motion picture. Playing with language with his trademark dexterity, Mamet uses long-winded stories to camouflage wicked verbal strikes. The standout here is Shia LaBeouf, whose magnetic performance hearkens back to the early physical character work of Marlon Brando.
"Henry Johnson is about the dangers of being naive to manipulation. There are vipers everywhere looking to take advantage of everyone for their own profit."— Ray Manukay
The film is unapologetic about its roots, even reminding the audience of its Venice, California stage origins during the credits. Mamet eschews inspired cinematic storytelling for a minimalist aesthetic that highlights the speaker's agenda. It is a world where characters move from A to B to an unexpected D through purely verbal means, a style Mamet fans have missed since his House of Games and Spartan heyday.
Henry Johnson isn't a great "film" in the traditional sense, but as a filmed play, it is a stirring success. It's efficient, effective, and signals a hopeful renaissance for a Pulitzer Prize-winning writer we haven't seen enough of lately.
View original review on LetterboxdA painfully serious revenge thriller that plays like a somber version of Bourne.
Directed by James Hawes (Slow Horses), The Amateur is an intriguing thriller that explores the heavy moral weight of vengeance. Rami Malek plays a CIA data analyst who steps out of his desk job to hunt those responsible for his wife's murder. While the film hooks you early, it shifts away from traditional action toward a character study on the soul-eroding nature of violence—a theme it shares with the classic Unforgiven.
"Killing a person is like cutting a piece out of oneself that can never be replaced. Either one is a killer or they are not."— Ray Manukay
James Hawes brings a grounded, TV-prestige aesthetic to this spy drama. It eschews the "fun" of the genre for a gritty realism, focusing on Malek's non-emotional, overtly cerebral performance style. The haunting presence of Rachel Brosnahan in flashbacks serves as the emotional anchor, maintaining sympathy for a protagonist who is otherwise difficult to read.
The Amateur earns a modest recommendation for fans of cerebral spy dramas. It’s an efficient, if somewhat joyless, thriller that honors its source material through Rami Malek’s intense, singular performance style.
View on LetterboxdAn uneven yet surprisingly charming sequel that finds its soul in brotherly repair.
Against all odds, director Gavin O'Connor triumphantly returns to the world of his 2016 hit. While the first film was a more effective action-suspense piece, The Accountant 2 shifts its focus to the fractured sibling relationship between the introverted Christian Wolff (Ben Affleck) and his morbidly jovial brother Brax (Jon Bernthal). When the film focuses on their mending bond, it soars with an emotional weight reminiscent of O'Connor's previous masterpiece, Warrior.
"The chemistry between Bernthal and Affleck is outstanding; they bicker effectively and believably as brothers with a deeply personal, traumatic shared history."— Ray Manukay
O'Connor is a master of "broken brother" narratives, and here he uses the high-stakes world of treasury-agent investigations and human trafficking as a backdrop for a character study. While the police-procedural elements can feel like a meandering MacGuffin used to stretch the runtime, the intimate, heartfelt scenes of siblings trying to work things out provide a satisfying "Odd Couple" energy that anchors the film.
The Accountant 2 is a crowd-pleaser that succeeds despite its procedural distractions. It's a fun, visceral, and unexpectedly touching ride that proves there’s plenty of mileage left in the Wolff brothers' story. Healthy recommendation.
View original review on LetterboxdA stunning achievement in military accuracy that prioritizes visceral realism over story.
Directed by Alex Garland and Ray Mendoza, Warfare is a stunning and brutal procedural look into a modern-day military battle and evacuation. The film drops the viewers mercilessly into a conflict almost like an invisible participant. Shot with an eye towards accuracy and authenticity, no expense is spared to maintain realism. There is very little time spent on setting up characters or scenarios; the audience is forced to get up to speed on the fly.
"Warfare is a stunning achievement and deserves admiration as the new standard bearer for military combat accuracy on film."— Ray Manukay
The film’s greatest strength is its documentary-like feel, achieved without the crutch of narration. While there isn't much to the story besides survival, Warfare still manages to tug at the heartstrings as we sympathize with the team's dilemma as they try to overcome some terrible odds. At 1 hour and 34 minutes, the pacing is lean, yet some sequences feel torturously long as we wait alongside the soldiers for a way out.
Warfare is not for the faint of heart, but for those seeking an idea of what modern-day military combat is like from the comfort of a theater, look no further. Be in the right frame of mind; this is the new standard-bearer for the genre.
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