Wednesday, January 15, 2025

The Fool Killer - Review : A Haunting, Dreamlike Post-Civil War Odyssey


 

The Fool Killer (1965)

A Haunting, Dreamlike Post-Civil War Odyssey

★★★½☆

Watched 15 Jan 2025 — A unique, hard-to-find gem that captures the simmering tension and brutality of an undeveloped world.

Directed by Servando González, The Fool Killer is an odd, dreamlike film that follows a 12-year-old runaway escaping an abusive foster home. Set in the post-Civil War era, the movie evokes the eerie tone of an extended Twilight Zone episode, minus the supernatural elements. Its episodic structure—marked by unusual montages and strange vocalized inner monologues—creates an uneasy energy. While it occasionally meanders, the film finds its footing and crystallizes its themes upon the introduction of a PTSD-afflicted soldier, leading to a truly surprising payoff.

"There is a feeling of uneasiness which permeates the film as it probably should. A character being 12 years old in a brutal world should feel like they are in danger."
Ray Manukay

🎬 Cast & Crew

  • Director: Servando González
  • Starring: Anthony Perkins, Edward Albert
  • Supporting: Dana Elcar, Henry Hull, Salome Jens
  • Cinematography: Alex Phillips Jr.

The Vision

González’s vision is far from the whimsy of Huckleberry Finn; instead, he leans into a stark, brutal reality captured in simmering black and white. The direction and cinematography are surprisingly strong, amplifying the sense of danger that lurks around every corner for the young protagonist. The filmmaker intentionally fosters a sense of unease, utilizing the protagonist's inner monologues to heighten the film's "odd energy." It is a unique piece of cinema that explores the vulnerability of youth in a violent, undeveloped landscape.

🎬 Cinephile Fun Facts

  • Edward Albert's Debut: This film marked the professional debut of [Edward Albert](https://www.imdb.com), who would later go on to win a Golden Globe for Butterflies Are Free.
  • The Perkins Connection: Anthony Perkins took this role shortly after his iconic turn in Psycho, continuing his streak of playing deeply troubled, psychologically complex characters.
  • Literary Roots: The film is based on the [1954 novel by Helen Eustis](https://en.wikipedia.org), which was praised for its unique blend of Southern Gothic and coming-of-age themes.

✅ Pros

  • Strong, atmospheric black-and-white cinematography.
  • Powerful, thematic performance by Anthony Perkins.
  • A unique, rewarding payoff and dreamlike tone.

❌ Cons

  • Occasional pacing issues and meandering plot.
  • Moments that feel "inappropriate" by modern standards.
  • Very difficult to find on modern streaming platforms.

🏆 Final Verdict

An off-the-beaten-path recommendation for those seeking something haunting and distinctive. It’s a "hard to find gem" that balances simmering tension with a surprising, thought-provoking conclusion.

View on Letterboxd

Monday, January 13, 2025

Rage 1972 - Review: A Brisk, Infuriating Tale of Bureaucratic Corruption



 

Rage (1972)

A Brisk, Infuriating Tale of Bureaucratic Corruption

★★★☆☆

Watched 13 Jan 2025 — A satisfying thriller that channels raw grief into a vengeful strike against institutional indifference.

Wednesday, January 08, 2025

Terrifier 3 - Review A Bold, Biblical Evolution of the Splatter Slasher




Terrifier 3

A Bold, Biblical Evolution of the Splatter Slasher

★★★☆☆

Arguably the best entry yet, balancing industrial-scale gore with a surprising theological depth.

Monday, January 06, 2025

A Different Man - Review - A Darkly Comic Exploration of Identity and the "Cure"


A Different Man

A Darkly Comic Exploration of Identity and the "Cure"

★★★½☆

An unconventional morality tale that finds the sweet spot between black comedy and dramatic realism.

Sunday, January 05, 2025

Alien Romulus - Review: A Visceral, Nostalgic Interquel That Honors the Roots


Alien: Romulus

A Visceral, Nostalgic Interquel That Honors the Roots

★★★☆☆

A game attempt at re-invigoration that succeeds in craft but stumbles on franchise tropes.

Directed by horror maestro Fede Álvarez, Alien: Romulus attempts to bridge the gap between the original 1979 masterpiece and its action-heavy 1986 sequel. The film is aesthetically handsome, utilizing physical sets and practical effects to capture the "oil rig in space" grit of the first entry. While Cailee Spaeny delivers a charismatic performance as Rain Carradine, the film struggles to make us care for the rest of the "dead meat" crew. It hits high notes with innovative set pieces, but occasionally feels weighed down by the "tired and worn out" tropes of a 45-year-old franchise.

"Alvarez really succeeds by elevating the material with his new concepts... Stand out moments include a zero gravity action sequence and a truly disturbing third act nemesis that will legitimately give some viewers nightmares."
Ray Manukay

🎬 Cast & Crew

  • Director: Fede Álvarez
  • Starring: Cailee Spaeny, David Jonsson, Archie Renaux
  • Cinematography: Galo Olivares
  • Production Design: Naaman Marshall

The Vision



Álvarez leans heavily into "technological production design" and practical craftsmanship, even seeking out crew members from the original Aliens to ground the VFX. The film’s "zero-g" blood-combat sequence and the introduction of a new cross-species abomination prove there is still "mileage left in these monsters." However, the reliance on familiar chest-bursting shocks and "classic lines" keeps the film from reaching a "truly special" status, serving more as a high-quality tribute than a total reinvention.

🎬 Cinephile Fun Facts

  • Practical Nightmares: The terrifying "Offspring" in the final act was played by 7'7" Romanian basketball player **Robert Bobroczkyi** in a suit.
  • Gaming Influence: Álvarez included "Emergency" save phones as an Easter egg to the 2014 game *Alien: Isolation*, which he used as a tonal reference point.
  • Legacy Consult: Both **Ridley Scott** and **James Cameron** were consulted during production and gave the film their approval.
  • Timeline Fix: The film is an "interquel," taking place in 2142—exactly 20 years after the original *Alien* and 37 years before *Aliens*.

✅ Pros

  • Innovative Zero-G action choreography.
  • Stunning, practical creature and production design.
  • A "truly disturbing" and memorable third-act climax.

❌ Cons

  • "Tired and worn out" franchise tropes.
  • Supporting characters feel like "collective dead meat."
  • Lacks the "shock value" of earlier entries.

The Full Analysis

Alien: Romulus features the return of the iconic monster franchise, this time with horror maestro Fede Alvarez bringing his talents to the production to reinvigorate the series for a new generation. The results are mostly effective, as Alvarez does a commendable job of honoring the past films with fun callbacks to previous entries. The production design successfully evokes the cold, technological aesthetic of the original film, utilizing primitive computers, long dark hallways, and an industrial, oil-rig-type environment. The film further pays tribute through familiar classic lines, as well as specific visual and prop references that fans will recognize.

Alvarez truly succeeds by elevating the material with new concepts and ideas not previously seen in the franchise. Standout moments include a creative zero-gravity action sequence and a truly disturbing third-act nemesis that will legitimately give some viewers nightmares. Unfortunately, what prevents the film from reaching a truly special designation are the tired and worn-out tropes of the franchise. Seeing a Xenomorph burst from yet another chest has simply lost its shock value, and fighting off a horde of them when all hope seems gone has lost its primary thrill.

Perhaps the biggest issue is that none of the characters are particularly likable. Even the charismatic Cailee Spaeny cannot make the audience truly care for the collective "dead meat" walking throughout the film, which significantly lowers the stakes. Despite these character flaws, it is a game attempt by Alvarez. Everyone involved seems to be taking the material seriously, the action is top-notch, and the film is aesthetically handsome.

Ultimately, Alien: Romulus proves there may still be some mileage left in these monsters. It serves as a solid bridge between the old and the new, maintaining the atmosphere of the classics while pushing the boundaries of what these creatures can represent. Hopefully, the next filmmaker to take the baton can bring something truly unique to the proceedings, building upon the sturdy foundation Alvarez has established here.

🏆 Final Verdict

A handsomely crafted return to form that serves as a visceral bridge for the franchise. It’s an effective horror experience that just needs a bit more soul in its secondary characters.

View original review on Letterboxd