Lucky 13 Review
Exit 8
Directed by Genki Kawamura (2025)
Directed by Genki Kawamura (2025)
Estranged half-brothers Jonny, a hard-drinking and volatile suspended Oklahoma police detective, and James, a highly disciplined, straight-laced US Navy SEAL, are forced to reluctantly reunite after the mysterious death of their father, private investigator Walter Hale. Long out of contact and instantly clashing over old family wounds, the brothers are thrust into a deadly game of survival when dangerous Yakuza operatives begin hunting for a secretive package their father left behind. Pushed into a high-stakes investigation that carries them from local sordid nightclubs to ultra-rich seaside compounds across Hawaii, Jonny and James must work through deep-seated personal baggage to uncover a vast criminal resort conspiracy before it tears their family apart.
Financed and globally distributed by Amazon MGM Studios as a prominent subscription exclusive on Prime Video, The Wrecking Crew originated from a competitive four-way studio bidding war over an original pitch developed by star duo Jason Momoa and Dave Bautista. While blockbuster filmmaker David Leitch was initially attached to direct the project, scheduling conflicts ultimately cleared the way for director Ángel Manuel Soto to take the helm. Principal photography took place extensively on location across the coastal landscapes of Hawaii and New Zealand, utilizing natural island terrains over closed virtual sets. Cinematographer Matt Flannery deliberately structured the visual composition with vibrant, high-saturation color grading to maximize the sun-drenched, retro atmosphere, prioritizing real vehicles and physical helicopters during the central car chase sequence to deliver high-octane practical action.
"The film is a lot of fun. The kind of feel good film that will have the audience smiling from beginning to end."— Ray Manukay
Replacing dingy suburban alleyways with sun-soaked Hawaiian beaches is a refreshing change of scenery that surprisingly maintains the genre's sense of menace. The film succeeds through the authentic representation of the Pacific Islander community, giving the story a unique soul without ever feeling forced. While the plot isn't complex, Soto manages the familiar ground with total confidence, delivering a crowd-pleaser that keeps you smiling from start to finish.
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The Wrecking Crew is a blast from the past, a high-octane, old-school action comedy that thrives on the massive charismatic turns of its leads. Featuring a duo as physically imposing and surprisingly likeable as Jason Momoa and Dave Bautista, the film serves as a welcome throwback to the golden era of the "buddy cop" genre. It is a style of filmmaking that writer Shane Black famously excelled at, and the influence here is undeniable. Throughout the runtime, the audience is treated to a plethora of homages and clever callbacks to genre-defining classics such as Lethal Weapon, 48 Hrs., and Kiss Kiss Bang Bang.
The plot of The Wrecking Crew is centered on two half-brothers who find themselves reluctantly joined at the hip while on the trail of their father's murderer. As they navigate the dangerous path to solving the crime, the pair spends as much time bickering and bantering as they do taking down criminals. True to its title, the duo leaves a significant body count and a massive trail of urban destruction in their wake. The result is an incredibly fun, "feel-good" experience that will likely have the audience smiling from the opening frames to the final credits. While the narrative isn't overly complex or filled with shocking twists, it isn't meant to be. This is a pure, unadulterated crowd-pleaser that rests safely in the affable hands of two leads who are naturally born entertainers. The ensemble cast further elevates the material, with great supporting turns from Morena Baccarin, Frankie Adams, Jacob Batalon, Temuera Morrison, Stephen Root, and Claes Bang.
One of the most distinct strengths of the film is the decision to set the action against the vibrant backdrop of Hawaii. This choice offers a perspective on the action-comedy genre that we rarely see; the dark, dingy, rain-slicked alleyways of typical suburban settings are replaced by sun-drenched beaches and lush tropical landscapes. Surprisingly, the transition works effectively without losing the necessary sense of menace and danger. It is a refreshing change of pace that breathes new life into the formula. Furthermore, seeing the Pacific Islander community represented so prominently gives the story a unique and authentic feel. It is a cultural perspective we don't often get to see in mainstream blockbusters, yet it thankfully never feels preachy or forced, it is simply a natural, essential part of the plot.
Beyond the unique locale and its talented cast, The Wrecking Crew doesn't necessarily break new cinematic ground, but it proves there is still plenty of mileage left in a well-executed formula. Director Angel Manuel Soto doesn't shy away from treading familiar territory. However, in his capable hands, he confidently navigates through the expected story beats in a way that feels nostalgic rather than redundant. Instead of falling into the trap of tired, worn-out, or predictable tropes, these genre touchstones start to feel like a comfortable, cozy blanket in front of a fire on a rainy day. There is a sense of craftsmanship here that honors the tradition of the action-comedy while keeping the energy modern and infectious.
After the credits rolled, I admit I found myself immediately wanting more from this pairing. It is my sincere hope that this marks the beginning of a long-running series of films for these characters. I heartily recommend The Wrecking Crew to anyone looking for a great time at the movies. Please watch it and share the recommendation; I would love nothing more than to see these two guys go on many more adventures together in the future.
The Wrecking Crew is essentially a must-watch for fans of 80s and 90s buddy-cop cinema. It doesn't reinvent the wheel, but it delivers pure, crowd-pleasing fun that leaves you wanting more adventures with this destructive duo.
View original review on LetterboxdAn amusing, uncomplicated ride with John Wick-style combat.
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Elly Conway is the reclusive author of a series of best-selling espionage novels, whose idea of bliss is a night at home with her computer and her cat, Alfie. But when the plots of Elly's fictional books, which center on secret agent Argylle and his mission to unravel a global spy syndicate, begin to mirror the covert actions of a real-life spy organization, quiet evenings at home become a thing of the past. Accompanied by Aidan, a cat-allergic spy, Elly races across the world to stay one step ahead of the killers as the line between her fictional world and her real one begins to blur.
| Motion Picture Rating | PG-13 (Strong Violence and Action, Some Strong Language) |
| Aspect Ratio | 2.39:1 (Anamorphic) |
| Production Budget | $200 Million |
| Worldwide Box Office | $96.2 Million |
| Locations | London (UK), Greece, United States, Greenstone Studios |
The original studio venture took structural form following its high-profile announcement in mid-2021 as a blockbuster collaboration between Marv Studios and Apple Original Films. Principal photography protocols launched camera operations in August 2021, setting up stages across various European communities and UK studio locations. Apple financed the massive two hundred million dollar budget array, striking a global distribution pact with Universal Pictures to handle wide worldwide theatrical booking slates prior to its streaming arrival on Apple TV+.
A spectacular, thought-provoking anti-war film that trades classic heroism for dark political realism.