Monday, October 26, 2026

Ray Gunn 2026 AFI Festival Movie Screening Review: Brad Bird's Vibrant, Fast-Talking Animated Spectacle

Lucky 13 Animated Review

RAY GUNN


Directed by BRAD BIRD
Official Theatrical Review
Official AFI Festival Selection
Brad Bird’s Ray Gunn: An Entertaining Retro-Futuristic Triumph
★★★★☆ Lucky 13 Score

Prestige Logistics & Metrics

Theatrical Release Window: December 4, 2026 Limited Launch [Netflix]

Streaming Premiere Window: December 18, 2026 Wide Distribution [Netflix]

Official Film Length: 1 Hour 45 Minutes [105 Minutes]

Current Freshness Matrix: 94% Rotten Tomatoes Critical Footprint [48 Reviews]

Studio Architecture Alliance: Skydance Animation / Cinesite

Official Synopsis




Deep within Metropia, a staggering, neon-drenched metropolis operating inside an alternate future constructed entirely from the architectural and cultural optimism of 1939, cynical private investigator Raymond Gunn faces his most volatile assignment. What starts as a standard detective procedural quickly spirals out of control when Gunn is pulled directly into a high-stakes conspiracy involving extraterrestrial aliens, a high-profile murder, and the elusive, world-famous multimedia superstar Venus Nova. The screenplay merges classic pulp detective parameters with breathtaking, state-of-the-art animation, exploring themes of urban corruption, media obsession, and existential isolation in a world where the future has collided with the past.

Production crew Information


Screenplay Architects: Brad Bird, Matthew Robbins

Story Supervisors Unit: Jeffrey Lynch, Ted Mathot

Lead Producers: John Lasseter, Brad Bird, Lisa Beroud, David Ellison, Dana Goldberg

Director of Photography: Erik Smitt

Lead Film Editors: Karl Armstrong, Darren T. Holmes, Rob Neal

Musical Score Composer: Michael Giacchino

Official Ensemble  (Voice Tracking)




  • Sam Rockwell as Raymond "Ray" Gunn
  • Scarlett Johansson as Venus Nova
  • Tom Waits as Eye-Ra Kadok
  • Alan Tudyk as Barry Vogel
  • Matt Berry as Francis Xavier
  • Bobby Cannavale as Arnold Dom
  • Michelle Rodriguez as Roz Dexler
  • John Ratzenberger & Patton Oswalt as Supporting Voice Ensemble

Ray Gunn AFI Fest Q & A

Official Trailer Selection

Ray's Thoughts




Following closely this year on the heels of another high-profile animated passion project, LAIKA’s stop-motion triumph Wildwood, comes the Skydance Animation feature Ray Gunn, directed by Brad Bird. Originally conceived three decades ago as a futuristic homage to the classic, razor-sharp noir films of Howard Hawks, the project was repeatedly shelved while Bird spent years trying to secure the necessary financing and distribution lines. As daunting as Wildwood’s sixteen-year production journey sounded, a thirty-year development timeline is arguably a lifetime. It is a sobering reflection on the cautious state of the modern studio industry when a filmmaker responsible for perennial masterpieces like The Iron Giant, The Incredibles, and Ratatouille must wait thirty years to finally present his ultimate passion project. Yet, after three decades of nurturing an idea, it is incredibly rewarding to witness the magnificent fruits of his labor. 


Ray Gunn stands as an outstanding achievement that demands to be celebrated for its stylistic originality and pure cinematic spectacle.


The script introduces us to Raymond Gunn, voiced by a charming Sam Rockwell, a cynical former police detective turned discrete private investigator who, alongside his delightfully gravel-voiced alien partner Eye-Ra Kadok , voiced with a scene-stealing grit by Tom Waits,  is under intense pressure to escape immediate financial ruin. Hampered by a strict ethical conscience that consistently prevents him from taking dirty underworld jobs for easy money, Ray unexpectedly stumbles into the volatile orbit of multimedia superstar Venus Nova, brought to life through a rich vocal performance by Scarlett Johansson. Nova finds herself embroiled in a dangerous, high-stakes controversy involving hostile forces that threaten to violently disrupt her latest high-profile release and tour. With an army of predatory opportunists looking to cash in on her global fame, she desperately needs Gunn’s protection to navigate the criminal underbelly of Metropia before it is too late .


Overall, the film is a thoroughly enjoyable, highly entertaining success driven by its stunningly inventive world-building. The sprawling metropolis of Metropia features rich visual homages to science-fiction landmarks like Blade Runner and The Fifth Element, yet it carves out its own identity by applying a unique, "future as seen from 1939" retro-futuristic aesthetic . True to its hard-boiled ambitions, the dialogue delivers spectacular stylistic tributes to the fast-talking energy of Howard Hawks and Preston Sturges. The lines snap with a rapid-fire, humorous, and biting cadence, offering sharp social commentaries that sting precisely when they are supposed to.


If we were to nitpick and uncover a minor weakness in the film, it would reside within the narrative structure. The script is every bit the traditional noir it aspires to be; while it is beautifully decorated in an animated aesthetic, it checks every single proverbial genre box, which can occasionally make the plot beats feel a bit too familiar. The hard-boiled detective fighting his own morals, shady underworld figures operating in the margins, two-faced corporate power brokers, and a talented, beautiful dame who leaves our hero questioning which way is up are all present and accounted for. There is even a creepy, underling who enjoys physical violence a bit too much, directly channeling the classic archetype of Peter Lorre. While these elements mostly work due to the sharp direction, the narrative path sometimes feels more like a strict obligation to the historical genre than something entirely fresh and unique.


Where Ray Gunn triumphs in pure originality is in its stunningly bright, vibrant, and gorgeous visual architecture. On paper, this luminescent color scheme conflicts directly with the traditional, shadow-drenched noir aesthetic, but that is precisely the point. In a intriguing creative choice, Bird wanted to create a noir that differentiated itself by utilizing a bright, clean, and futuristic style as a stark visual contrast to the corrupt, dark figures living inside it.


Where the animation choices will arguably divide audience members is in the physics of the violence, which frequently defaults to a style that feels a little too convenient and cartoonish. The action sequences feature smushed faces, mid-air comedic pauses, and violent punches that would easily kill a real person, which slightly undercuts the authentic danger of the mystery. Yet, this stylistic disconnect is entirely part of the film's distinct charm. During a post-show Q&A session, Brad Bird revealed that at one point during the grueling thirty-year development window, a studio executive did approach him to ask if he harbored any interest in directing a live-action version of the story. Bird revealed that a live-action translation simply did not interest him. He was entirely adamant about seeing this specific story expressed through the boundless, expressive freedom of the animation medium.


Thankfully, despite my minor quibbles, Bird was able to achieve his long-held wish. Ray Gunn is an absolute blast. Although the feature is ultimately destined for a wide streaming release on Netflix, any viewer who gets the opportunity should aggressively seek out a big-screen theatrical screening. It plays with an impressive, grand scale where the staggering details,  background imagery, and incredible designs truly come to life. In any version Ray Gunn is experienced, it comes with a highly recommended watch status that will absolutely not disappoint.

Final Verdict



★★★★☆

Lucky 13 Score



Ray Gunn is a vibrant, razor-sharp triumph three decades in the making and a resounding testament to Brad Bird’s uncompromising passion for the animated medium. While its hard-boiled narrative beats strictly honor classic noir tropes a bit too faithfully, the film more than compensates with its breathtaking "1939 retro-futurism," rapid-fire Howard Hawks-style dialogue, and magnificent voice work from  Sam Rockwell, Tom Waits and Scarlett Johansson. By fearlessly contrasting luminescent visual spectacle with dark, corrupt underworld stakes, all wrapped in the expressive freedom of animation, Bird delivers an absolute blast of a cinematic spectacle. Whether you catch it in theaters or on streaming, this long-awaited labor of love easily earns a Highly Recommended status and stands as one of the year’s most entertaining animated achievements.

Metropia Secrets & Trivia




  • The film serves as the long-gestating passion project for director Brad Bird, who spent decades refining the visual concepts and narrative tracking lines before securing production backings with Skydance Animation.
  • The visual aesthetic layout of Metropia was explicitly structured to replicate a "future as seen from 1939," directly channeling the opulent Art Deco parameters showcased at the historic 1939 New York World's Fair.
  • The voice cast secures veteran character actor John Ratzenberger in a key supporting role, preserving his historic streak of appearing in every single one of Brad Bird's animated feature projects.
  • The film's technical framework features advanced CG pipelines from Cinesite, delivering a warm physicality and a unique "slink" to the character animation that stands out from standard digital properties.
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