The Return -Review: A Somber, Slow-Burn Deconstruction of Homeric Myth

The Return

A Somber, Slow-Burn Deconstruction of Homeric Myth

★★★☆☆

An intellectually earnest wringer that trades mythic poetry for gritty PTSD.

Official Release

December 6, 2024

Rotten Tomatoes

85%

Letterboxd

3.5/5

Running Time

1h 56m

📖 Official Synopsis

Following two decades away, a weary and unrecognizable Odysseus returns to Ithaca to find his kingdom changed, his wife Penelope held captive, and his son threatened by suitors. He must confront his past to save his family.

👥 Expanded Ensemble

• Ralph Fiennes: Odysseus
• Juliette Binoche: Penelope
• Charlie Plummer: Telemachus
• Marwan Kenzari: Antinous
• Claudio Santamaria: Eumaeus
• Tom Rhys Harries: Pisander
• Amir Wilson: Philetius
• Luca Calvani: Eurymachus
• Angela Molina: Eurycleia

🎬 The Architects

• Director: Uberto Pasolini
• Writers: Edward Bond, John Collee, Uberto Pasolini
• Cinematographer: Marius Panduru
• Composer: Rachel Portman
• Production Studios: Red Wave Films, HanWay Films, Heretic

Production Vault

Estimated Budget	~$20 Million USD
Camera Specs	Arri Alexa 35 (1.85:1 Aspect Ratio)
Filming Locations	Corfu & Peloponnese (Greece); Rome (Italy)
Behind The Lens	Director Uberto Pasolini consciously avoids traditional, CGI-heavy Hollywood blockbuster tropes. Instead, the production centers on grit, Bronze Age realism, and exploring the severe post-traumatic stress of a warrior returning home.

"The Return can be a frustrating watch as it builds at its deliberate pace... It's so dark that some audiences might feel the movie feels pretentious, especially in the first half which is mostly about setting the scene."

— Ray Manukay

🎬 Cast & Crew

• Director: Uberto Pasolini
• Starring: Ralph Fiennes, Juliette Binoche
• Source Material: Homer's The Odyssey
• Atmosphere: Stark, bleak, and theater-esque

The Vision

There is a palpable earnestness toward the material which is admirable, especially for fans of classic theatre. However, the movie sorely lacks any humor or joy in its exceedingly bleak story. By focusing heavily on the post-war depression and PTSD of Odysseus, Pasolini risks alienating viewers who expect the "colorful poetry" of the original Bard. It is a film that demands patience, as things only begin to ramp up in the second half.

🎬 Cinephile Fun Facts

• Iconic Reunion: This marks the first time Ralph Fiennes and Juliette Binoche have shared the screen since The English Patient (1996).
• Grounded Myth: Director Pasolini intentionally removed all supernatural elements (gods, sirens, witches) to focus on the human cost of the Trojan War.
• Filming Locations: The production utilized stunning, stark landscapes in Greece to mirror the emotional isolation of the characters.

✅ Pros

• Masterclass acting from Fiennes and Binoche.
• Sincere, respectful approach to classic literature.
• Strong emotional catharsis during the action ramp-up.

❌ Cons

• Frustratingly slow, "deliberate" pacing.
• Lacks narrative balance or any sense of joy.
• Can feel pretentious during the scene-setting first half.

Official Series Presentation Trailer

The Full Analysis

"The Return" is a somber adaptation of the classic tale concerning the morose homecoming of Odysseus from the Trojan War. The narrative is presented with the weight and seriousness of a Shakespearean drama, though it notably lacks the colorful poetry and verbal imagery typically associated with Homer. The plot measuredly simmers with tension as the audience awaits the inevitable reunion between Odysseus and his wife, Penelope. However, the film can be a frustrating watch due to its deliberate pace, particularly for those already familiar with how this classic story concludes.

There is an undeniable earnestness toward the material that is admirable, especially for devotees of classic theater. However, the movie sorely lacks any humor or even much joy within its exceedingly bleak framework. Much of the film focuses on the post-war depression of Odysseus, portraying the raw PTSD of returning home after a long, traumatic conflict. The tone is so dark that some audiences might find the production feels pretentious, particularly in the first half, which is almost entirely dedicated to atmospheric scene-setting.

While things do begin to pick up in the second half as the action finally ramps up, it remains a toss-up as to whether the movie's consistently bleak tone is ever truly redeemed. Despite the pacing issues, the film serves as a strong performance showcase for Ralph Fiennes and Juliette Binoche, both of whom are at the absolute top of their games. Fans of high-caliber acting, classic monologues, and emotionally cathartic dramatic moments will likely find much to appreciate here.

Ultimately, viewers should be prepared for a slow-burn experience. This is a somber tale that might be better suited for the study of classic literature in a classroom setting rather than a fun night in front of the big screen with friends. "The Return" is a rigorous, demanding piece of cinema that prioritizes historical and psychological weight over traditional entertainment value.

🏆 Final Verdict

A slow burn best suited for literature classrooms rather than a fun night in with friends. Watch it for the performances, but be prepared for the gloom.

★★★☆☆ View original review on Letterboxd