I Saw the TV Glow (2024)
A dark, atmospheric coming-of-age story that prioritizes tone over traditional narrative.
Official Synopsis
In late 90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late night TV show. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, Owen view of reality begins to crack.
Expanded Ensemble
Expanded Architects
Production Vault
| Motion Picture Rating | PG-13 (Some Violent Content, Sexual References, Language) |
| Capture Format | 35 mm Analog Print (Kodak) |
| Aspect Ratio | 1.85:1 (Flat presentation framework) |
| Production Budget | $10 Million |
| Locations | Asbury Park, East Hanover, Wayne, Verona (New Jersey, USA) |
Production Info
The independent feature venture organized initial financial packages through a collaborative partnership consisting of Fruit Tree, Smudge Films, and Hypnic Jerk production houses. Principal tracking operations commenced during August 2022 on site across various counties in New Jersey. A24 handled the master global distribution blueprint, introducing the narrative to industry audiences at the 2024 Sundance Film Festival before managing wide theatrical slate tracking options.
Official Trailer
Directed by Jane Schoenbrun, I Saw the TV Glow is a film that arguably defies categorization. While marketed as horror, it is less of a traditional thriller and more of a meditation on the deterioration of mental health in the wake of repressed self-identity. It captures the haunting pain of conforming to societal norms with an earnest sincerity that is both admirable and disturbing.
"The work feels more like a directorial showcase for Jane Schoenbrun... more about setting a unique, haunting tone than telling a strong story or beating the viewer over the head with an obvious theme."— Ray Manukay
🎬 Cast & Crew
- Director/Writer: Jane Schoenbrun
- Starring: Justice Smith, Brigette Lundy-Paine
- Cinematography: Eric Yue
- Music: Alex G
The Vision
The movie clearly has the ambition to evoke the most disturbing works of David Lynch. While it doesn't quite capture the same bizarre, terrifying menace, the attempts at creating a unique, visceral aesthetic are noteworthy. Schoenbrun uses impressive cinematography and disturbing imagery to build a world that feels equal parts style and substance—though for those who prioritize a tight plot, the latter half of the film may feel like it gives up on narrative coherence in favor of pure absorption.
🎬 Cinephile Fun Facts
- A24 Aesthetic: The film's neon-drenched, lo-fi look was inspired by 90s television shows like Buffy the Vampire Slayer and The Adventures of Pete & Pete.
- Soundtrack Depth: The film features an original soundtrack with contributions from Caroline Polachek, Snail Mail, and King Woman, curated to reflect the film's emotional landscape.
- Director’s Journey: This is Jane Schoenbrun’s follow-up to their viral indie hit We're All Going to the World's Fair, continuing their exploration of digital and media-based isolation.
✅ Pros
- Breathtaking, eerie, and highly original visual style.
- Earnest and vulnerable performances from the lead cast.
- A unique, meditative approach to identity and trauma.
❌ Cons
- Narrative pacing slows significantly after the 45-minute mark.
- Style occasionally overwhelms the emotional development of the characters.
- May be too esoteric for viewers seeking a traditional horror plot.
