Man on Fire - Trailer Reaction
"A gritty, high-stakes reimagining of a classic tale of vengeance and protection."
"A gritty, high-stakes reimagining of a classic tale of vengeance and protection."
"Director Guy Ritchie returns with his signature action flair and silky smooth style."
"Never Meet Your Heroes."
"In Brightest Day, In Blackest Night..."
"The Wayans are back to cancel Cancel Culture."

99 Homes
Anamolisa
Ant-Man
Bridge Of Spies
The Big Short
The Danish Girl
Carol
Going Clear: Scientology And The Prison of Belief
Room
The Kingsmen: The Secret Service
Love & Mercy
directed by ROBERT ZEMECKIS

directed by DANNY BOYLE

directed by GUILLERMO DEL TORO

directed by JOHN MACLEAN

directed by PETE DOCTER & RONNIE DEL CARMEN

directed by CARY FUKUNAGA

directed by JOHN CROWLEY

directed by DAN FOGELMAN

directed by F. GARY GRAY

directed by QUENTIN TARANTINO

directed by ALEX GARLAND

It was a great year for science fiction and Ex Machina was near the top of this year’s list for that genre. But Ex Machina also stands out for being a mesmerizing, intense, and provocative work of drama. It helps that the film is anchored with star making turns by Oscar Isaac, Alicia Vikander and Domhnall Gleeson. But the real breakout star of the film is writer turned director Alex Garland, who made one of the most impressive directorial debuts in years.
directed by J.J. ABRAMS

directed by RYAN COOGLER

directed by ALEJANDRO GONZALEZ INARRITU

directed by DENIS VILLENEUVE

Sicario is a dark, brutal, hard to watch film.
That is an understatement.
Which is likely why the film was mostly ignored during this awards season.
Make no mistake, Sicario is disturbing on many fronts and is not for the faint of hurt.
But that feeling of dread is also what propels Sicario.
The story examines the politically charged topic of the war on drugs and it handles the subject expertly.Sicario doesn’t shy away from showing the human cost of the war. Even though it’s unpleasant to watch, we just can’t look away.
Which is why Sicario isn’t just a compelling film, it’s also an important one. Hopefully it will help create more conversations on the subject. Which definitely demands to be addressed and explored socially and politically.
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directed by S. CRAIG ZAHLER

directed by RiDLEY SCOTT

The most crowd pleasing film of 2015 was The Martian.
Simply put, a film like this is why we go to the movies.
The Martian had everything audiences could want from a story.
It had drama, action, and suspense. It was touching and heartfelt. But what made the film stand out from the rest, was its optimistic message of hope.
Hope for the space program, hope for the future, hope for humanity.
Cynics probably rolled their eyes at its optimistic outlook. But in a year of brutal, unforgiving films, The Martian stood out for being a feel good experience.
It literally had moments which made audiences stand up and unabashedly cheer.
Which is impressive in this cynical, media savvy day and age.
directed by TOM McCARTHY





directed by GEORGE MILLER
Well… was there really ever any doubt that Mad Max Fury Road would be my favorite film of 2015? I’m an unabashed fan of science fiction. I’m also a huge fan of westerns. Smash the two genres together and Mad Max: Fury Road is what we get.
The film was just incredible.
From it’s eye popping chase sequences to its brilliant performance from Charlize Theron, Mad Max Fury Road was ground breaking. Throw on top of all that awesomeness the world building by writer director George Miller and Mad Max: Fury Road had everything audiences could ever want.
Wow! What a great year for movies! I’m a little ashamed that this list didn’t feature any international films or more documentaries. But I’m also happy to have seen practically all of the award season films this year.
I can’t wait to see what 2016 has in store. Hopefully Hollywood will be able to build on the great success of 2015. Let us know what you think in the comments! We love discussing films.
This Article first appeared on PassMeThePopcorn: (Now Defunct)
A Most Violent Year
Chef
Birdman
Captain America: The Winter Soldier
The Lego Movie
Under the Skin
Magic in the Moonlight
Edge of Tomorrow
The Drop
Boyhood
directed by PAUL THOMAS ANDERSON

Thomas Pynchon’s works are noted for their complexity, digressions and eccentric characters. All of those traits are present in the challenging and off-kilter Inherent Vice.
The film is an intentionally, awkward, mish-mash of genres that prefers to be absorbed rather than deciphered. Just when the viewer starts to get some semblance of the direction the story is taking us, Paul Thomas Anderson and Thomas Pynchon delightfully take the viewer down a different and more complex rabbit hole.
This is where the film can make it or break it for the viewer.
Although one can argue Inherent Vice fails to deliver a satisfying, traditional, and tidy cinematic story. The truth is Inherent Vice is more about the journey than the destination.
And it is a great journey. One that deserves and arguably requires repeat viewings to fully be appreciated.
directed by JIM JARMUSCH

I’d be hard pressed to come up with a genre more over-saturated in entertainment than vampires.
But director Jim Jarmusch still manages to add his own unique, eccentric spin to the vampire mythology. Less interested in the typical blood lust and super-powered abilities that most stories about the creatures focus on , Jarmusch examines the emotional and psychological price of immortality.
How torturous would it be for immensely educated, centuries-old cultured beings to exist in a world full of primitive, base and short-sighted, immature humans?
Putting aside the philosophical element of the film Only Lovers Left Alive is just a cool movie. Beautiful look, hip feel, and just an awesome overall uniquely Jarmusch vibe.
directed by JEREMY SAULNIER

Revenge. In all it’s bloody, complicated and sticky forms and consequences.
Arguably, some of the most suspenseful and thrilling cinematic sequences of the year.
The less the viewer knows about the film going in the better. I’ll simply say check it out.
directed by GARETH EVANS

At its core The Raid 2 features cops, robbers… and just plain, wicked, violent, gangster shit.
But story is not what one watches The Raid 2 for.
Super extended and elaborate fight sequences and thrilling non-cgi action make this the best pure action film of the year.
Don’t let the subtitles intimidate. Just pure, glorious, bloody action.
directed by JAMES GRAY

If the reader has never heard of the film The Immigrant I wouldn’t be surprised. Released without any promotional support…at all.. the movie came and went with barely a whisper.
The problem is that The Immigrant was a fantastic movie.
Not only does the film feature excellent performances from Joaquin Phoenix and Marion Cotillard, The Immigrant is also an absolutely gorgeous film.
I mean incredibly, stunning and jaw dropping production design. During my screening I literally paused the film mid-viewing just to admire the scenery and cinematography.
At one point I became convinced that director James Gray and his cast and crew took a time machine to 1920’s New York and shot this film.
Shamefully under-rated The Immigrant deserves to be seen and rightfully praised. Don’t let this film slip by.
directed by DAN GILROY

I am of the strong opinion that most television news is more harmful than helpful or even informative for that matter.
Nightcrawler confirms my beliefs.
Dan Gilroy’s look at exploitative network news is at once illuminating and morbidly thrilling. Featuring an excellent performance by Jake Gyllenhaal, the movie examines the relationship between news reporting and providing entertainment to the masses.
It is easy to blame the media for the seedy featured content shown nightly on news programs. But the truth is that we the audience feed that machine.
The villainous or arguably strangely heroic Lou Bloom, played by Jake Gyllenhaal, is simply, good or bad, a product of this machine.
The film is likely not receiving the usual award season buzz because of its scathing critique of the media. But if one puts all that aside Nightcrawler is an excellent film that will leave the viewer thinking.
directed by CHRISTOPHER NOLAN

Much has been said about Christopher Nolan’s Interstellar.
The truth is I don’t really have much more to add to that conversation other than to say Interstellar is a thrilling, fascinating and surprisingly touching movie.
I get where the negative criticism comes from. Interstellar can be dense with the science talk, and at times overly sentimental.
But there is no denying that it is an awe inspiring, thought provoking film, by a visionary director in Christopher Nolan that is at the top of his game.
directed by WES ANDERSON

Wes Anderson.
Everyone knows what they are getting when they sit down to one of Wes Anderson’s films.
There are parodies everywhere of his distinct style.
But The Grand Budapest Hotel is likely a turning point for the director. Besides being his most mature film to date, The Grand Budapest Hotel displays the confidence of a developing master storyteller.
The film is uniquely his own, but unlike his previous, frivolous film Moonrise Kingdom, The Grand Budapest Hotel has surprising substance and touching, emotional depth which stays with the viewer long after its final frame.
Rather than just being stylish for the sake of it. Like his films usually are. Wes Anderson uses his traditional, gorgeous, eccentric, visuals to emphasize the beauty of the memories of various characters. They are precious representations of a cherished time gone by. Combined with the touching narration, it gives the film a poignancy, previously unthinkable in a Wes Anderson film.
Probably the most moving movie of the year. Without being overly sentimental or dramatic.
directed by DAMIEN CHAZELLE

There have been many films showing the trials and tribulations of the artist.
But Whiplash illustrates, probably most accurately, the sacrifice, struggle and uncompromising drive to be great.
J.K. Simmons delivers a performance for the ages, simultaneously, provoking disgust and admiration in his portrayal of Fletcher. But all the while keeping the character feeling real and human.
Is Fletcher an evil manipulator or a much needed artistic motivator?
That is the cinematic argument of the year and one that should provide plenty of debate and conversation amongst viewers for years to come.
Easily the most exhilarating film of the year, Whiplash also delivers one of the most satisfying, inspiring, cinematic experiences of all time.
directed by BOON JOON-HO
Fight your way to the front.
Snowpiercer rightfully fought its way to the front by being the most remarkable film experience of the year.
Demonstrating a wide variety of genres and powerful themes, Snowpiercer not only hits the viewer in a visceral sense, but also on an intellectual and political level.
Snowpiercer raises challenging questions, while also entertaining viewers with breathtaking action.
Featuring an inspired performance from Chris Evans and a brave, eccentric one from Tilda Swinton, Snowpiercer is also arguably the best and brightest that the science fiction genre has ever offered on film.
Illuminating and thought-provoking Snowpiercer for me, was easily the best film of the year. And likely will be recognized as one of the best films of the decade.
If the viewer is looking for a movie with everything. Literally. Snowpiercer is it.
The perfect representation of a great, thrilling and unique year in cinema.